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sound DUST Cloud Viola KONTAKT-SYNTHiC4TE

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Description

Applications : Mac : English
Quote:Cloud Viola
is a deeply multisampled hybrid Kontakt instrument that takes a humble 17th century classical stringed instrument and
lovingly cajoles it into joining the modern world. This isn't an attempt at any kind of authenticity (there are plenty
of other Kontakt libraries out there for that already) Cloud Viola is all about creating new tones and textures which
can work in a similar way to the original and go beyond.

Cloud Viola is perfect for adding interesting
texture to a "proper" orchestra, using midi controllers and an expression pedal she can be played with organic
expressiveness and genuine emotion. But unlike more conventional classical instruments she is completely at home with
contemporary electronics and sound design elements.

She can easily go from delicate to feisty, sound like a
haunted ballroom, a huge busted orchestra, a hundred rusty mandolins, a swarm of angry bees, a dusty Mellotron.

The starting point is a viola clamped to a stand, all strings removed except one and tuned with a capo. The exciting
thing happens when you ditch the conventional bow and look for something else to stimulate the strings. After much
experimentation I discovered that a ball of course green garden string sounded "best", but stringing a
standard bow with garden twine doesnt work, you'd need an impossible 10 metre bow to play a smooth note (I know it's
impossible because I tried to make one !). After more experiments and many cups of coffee a retractable dog lead came to
the rescue. It can hold long lengths of string under tension and when fixed to one end of the studio it could be drawn
evenly over the viola string. After a week perfecting the art of dogbowing and recording hundreds and hundreds of
dogbowed, accented and col legno notes it was all starting to make sense and fortunately sounding pretty good too. The
final step was to push each note 100% wet through a bespoke swirly setting on my Strymon Big Sky reverb pedal, and then
do the same thing all over again with a different setting for 200% wetness ! The Cloud Viola was born.
What's
inside?

1.72GB of 24bit samples (uncompressed).
3 octave keyrange - G2 to A5
5 deeply sampled
articulations through 8 "oscillators".
Accented bow : short bowed note with conventional bow. 5 x round
robin per note. 2 mic positions- valve condensor and contact mic.
Col Legno : latin for "gently thwacked with
the back of the bow". 5 x round robin per note. 2 mic positions- valve condensor and contact mic.
Twine :
bowed with 5 meters of green garden string. 5 x round robin per note, minimum 20 seconds per sample. 2 mic positions-
valve condensor and contact mic. Hard-wired to CC11 for expression pedal or midi controllers.
Dark Cloud : Twine
recorded 100% wet reverbed through Strymon Big Sky hardware reverb. Playback through Kontakt grain oscillator.
Pale
Cloud : the Dark Cloud recorded 100% wet reverbed through Strymon Big Sky hardware reverb unit, so basically 200% wet
!
Effects per oscillator : tremolo, vibrato, saturation, pitch selection, pan, lowpass filter, reverb and delay.
Master output effects : low pass filter, highpass filter, rotor effect, delay, cabinet modelling and EQ.
Velocity
to volume amount control.
Aftertouch to pitchbend amount control.
Advanced architecture with automatable midi
control of everything on the interface.
74 specially created convolution reverb impulses recorded from real spaces,
expensive hardware, and some less obvious sources including a Roland Space Echo, Strymon Big Sky and the stage of
Glyndebourne Opera House.
37 themed instrument presets (.nki's) each with modwheel patch morphing for gazilions of
variation.
Built in instruction manual in RTFM tab.

FULL version of Kontakt 4 or above needed.
home
http://dulcitone1884.virb.com/cloud-viola                                                             

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