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Tomas Luis de Victoria – Requiem 1605 – Harry Christophers – The Sixteen -CORO (2005) - SACD ISO

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Music : Classical : Lossless
Tomas Luis de
Victoria – Requiem 1605 – Harry Christophers – The Sixteen -CORO  CORSACD16033 (2005)

SACD rip via PS3 to iso (3.20 GB) | Classical | Choral

This recording features the celebrated Requiem
of 1605, Victoria’s final composition and a work of beguiling beauty and sumptuous simplicity. It can be seen as
the summation of both his art and the Spanish Renaissance tradition. The beautiful plainsong on which it is structured
can be heard arching through the texture, forming a delicate and sinuous line throughout. Subtly accompanied by a
chamber organ and bajón, it is recorded here with the same forces as may well have performed it originally in the
Monasterio de las Descalzas Reales. The Requiem is preceded by Marian Antiphons interspersed with three motets setting
texts from the Song of Songs.

Reviews:

BBC Music Magazine September 2005:

“Harry Christophers imbues this account with maturity and assurance as well as a deep understanding of the
music’s architecture. He inspires some impassioned singing from the choir – plumbing the depths in the
Offertory to depict the ‘deep pit’ and ‘the pains of hell’, and elsewhere using a range of
rhetorical gestures to heighten intensity.”

Gramophone Magazine December 2005:

“…The Sixteen’s new offering… builds on their previous recordings by complementing the voices
with a chamber organ and the wonderfully robust-sounding bajón, an early Spanish bassoon whose use in polyphonic
performances of the period is well documented.”

Amazon Customer Reviews: By Claude
Greenmount:

Hearing an excellent performance of this great masterpiece, it is easy to understand why this
work has been referred to as “The Requiem of an Age.” It is a consummate example of the craft of modal
counterpoint, chant-based polyphony, and the best example of the best compositional practice of the late Renaissance. A
sense of grand, tragic sorrow pervades this music; one is not only saying “farewell” to a particular person
(it was composed for the funeral rites of Empress Maria, Victoria’s patroness), but to an era. In 1605, the time
of the Requiem’s composition, the smooth, graceful, subtle and sinuous lines of vocal counterpoint were giving
way to the more overtly dramatic, instrumentally inspired style of the dawning Baroque. Just as the prayers of the
Requiem Mass were intended to ensure the eternal life of the soul for whom it is sung, so Victoria’s composition
ensures the continued study and admiration of this great art form. By no means is this writer trying to imply that the
Victoria Requiem of 1605 is solely responsible for the ongoing interest in Renaissance music, but you get the idea of
the importance, beauty and general high quality of this music. But enough about Victoria, on the the work of the
Sixteen.
Harry Christophers and The Sixteen never disappoint, and this recording is no exception. Accompaniment is
simple and judiciously used, supporting but never overwhelming the vocal lines. The vocalists sing with clarity,
precision, and exquisite attention to phrasing. One might wish for slightly more dramatic peaks in certain pieces,
particularly the “Versa est luctum” but that is a wish expressed *very* mildly– this is an
outstanding performance.
The motets presented here are also of great interest, particularly, the first,
“Salve regina,” which, like the Requiem, makes use of the chant as a departure point for the composition.
Even if you already have a good recording of this piece (for a different take, and another superb reading of this
piece, check out the one by the Gabrieli Consosrt), this one is worth adding to your collection. If this piece
isn’t already one of your favorite Renaissance Masses, even a casual hearing of it will likely give it a spot
among your Polyphonic Top Ten.


Details

Released    2005
Recorded   April 25-27,
2005, Saint Silas the Martyr, London
Genre        Classical/Choral
Label         Coro
Length      
72:58

Track List

1. Salve Regina 9:55
2 Ave Regina Caelorum a 5 4:17
3. Nigra Sum
3:42
4 Quam Pulchri Sunt 3:49
5. Trahe Me Post Te 3:09
6. Ave Regina Caelorum a 8 3:34

Officium Defunctorum
7. Taedet Animam Meam 4:05

Missa Pro Defunctis A 6
8. Introit
5:05
9. Kyrie 2:13
10. Gradual 3:09
11. Offertory 4:59
12. Sanctus & Beneditus 2:46
13.
Agnus Dei I,II,III 3:52
14. Communion 4:03
15. Funeral Motet: Versa Est In Luctum 3:59
16. Responsory:
Libera Me 8:49

Technical Details

This SACD ISO was ripped by sacd-ripper for PS3 version
0.36.

600dpi JPG artwork included.

Thanks to the original uploader!                                                             

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