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Mark T Conard_Philosophy of the Coen Brothers (2008), The (PDF only)

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Description

 							
  
  A drifter with no name and no
past, driven purely by desire, is convinced by a beautiful woman to murder her husband. A hard-drinking detective down
on his luck becomes involved with a gang of criminals in pursuit of a priceless artifact. The stories are at once
romantic, pessimistic, filled with anxiety and a sense of alienation, and they define the essence of film noir. Noir
emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister
plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this
classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John
Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles. The Philosophy of Film Noir is the first volume to focus
exclusively on the philosophical underpinnings of these iconic films. Drawing on the work of diverse thinkers, from the
French existentialist Albert Camus to the Frankurt school theorists Max Horkheimer and Theodor Adorno, the volume
connects film noir to the philosophical questions of a modern, often nihilistic, world. Opening with an examination of
what constitutes noir cinema, the book interprets the philosophical elements consistently present in the films -- themes
such as moral ambiguity, reason versus passion, and pessimism. The contributors to the volume also argue that the
essence and elements of noir have fundamentally influenced movies outside of the traditional noir period. Neo-noir films
such as Pulp Fiction (1994), Fight Club (1999), and Memento (2000) have reintroduced the genre to a contemporary
audience. As they assess the concepts present in individual films, the contributors also illuminate and explore the
philosophical themes that surface in popular culture. A close examination of one of the most significant artistic
movements of the twentieth century, The Philosophy of Film Noir reinvigorates an intellectual discussion at the
intersection of popular culture and philosophy.
  
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