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Led Zeppelin III 1970 HIGHRESAUDIO 24 96

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Music : Rock : Lossless
Led Zeppelin III
(Deluxe Edition 2CD)
Atlantic
2014 (1970)

After two albums that could do no wrong and constant
touring that resulted in Zeppelin joining the Millionaire club as it outsold and outperformed so many other successful
touring acts to become the top draw of the '70s, the release of Led Zeppelin III was a ballsy move. There'd been plenty
of hints at "an acoustic album," though with tracks like the first hard-rocking single, "Immigrant
Song," the slow-grind electric blues "Since I've Been Loving You," the funkified "Out on the
Tiles" and balladic "Tangerine," it's hard to call it an all-acoustic record. But there's no doubt that
acoustic guitars?in particular, acoustic 12-string?dominate a substantial percentage of III.

But if anyone is
to suggest Zeppelin had gone soft, tracks like "Friends" lays waste to such claims; instead, with Page's
slightly dissonant rhythm guitar and Jones' glissandi string arrangement lending the music a Middle Eastern inflection,
this was simply Zeppelin doing what it had done from the beginning: experiment. That it managed to do so while, at the
same time, delivering songs that were eminently accessible speaks to the time, as such a move these days would be
considered beyond risky. "Celebration Day" introduces the sound of Jones' moog synthesizer, even as it's
ultimately overtaken by Page's electric guitar, Jones' electric bass and Bonham's characteristically relentless groove
to turn the song into a flat-out rocker, with Plant's dual-tracked vocals soaring higher than ever before.

Still, III did divide both critics and fans, though there were enough in favor to drive the album to the top of the
charts (though for less of a time) and a full-page ad that said, presciently, "I, II and soon III. Thank you for
making us the World's No. 1 Band." If the album was a bit confusing at the time, in retrospect it has become a
favorite for its sheer diversity and for demonstrating even greater potential for a group that had already demonstrated
seemingly limitless possibilities. "Gallows Pole," which originally opened side two, is a traditional tune
arranged by Plant and Page, and layers the guitarist on banjo, as well as Jones on mandolin...who knew? And the closing
three tracks?the balladic "That's the Way," countrified thumper "Bron-Y-Aur Stomp" (written at a
small cottage in Wales of the same name) and blues-drenched Plant/Page duo closer, "Hats Off to (Roy) Harper,"
named for the singer/songwriter for whom Page had recorded on something like 80 songs but also a tribute to American
blues singer Bukka White, a spare tune with just Page's slide acoustic guitar and Plant's tremelo'd vocals?are truly
acoustic excursions, with Jones even turning to double bass for his support of "That's the Way."

41
minutes of bonus material include alternate mixes of "The Immigrant Song" (with Page's tremelo'd electric
guitar more dominant) and "Celebration Day" (without the synthesizer), rough mixes of "Since I've Been
Loving You" and "Gallows Pole" and a couple of tracks without vocals, all shedding more light on the
recording process. But of the three reissues in this first batch, III is the one with the biggest bonuses: two tracks
never before heard. A rough mix of "Jennings Farm Blues," a mid-tempo instrumental (and not a blues) that,
again, demonstrates Page's acumen when it comes to layering guitars?a skill that was studio-bound, as live it was Page,
the lone guitarist, who had to find ways to make these songs work in performance. "Keys to the Highway/Trouble in
Mind" closes the second disc the way "Hats Off to (Roy) Harper" closed Led Zeppelin III: just Page, on
acoustic guitar (no slide this time) and Plant (his voice tremelo'd again), this time also playing some biting blues
harp as well.

By the time Led Zeppelin III was released, Led Zeppelin had pretty much conquered the world,
but even bigger things were to come with its fourth album?one of the best-selling albums of all time?more money than
they could handle and the beginning of true excesses like private jets, renting out entire wings of hotels, sexual
exploits that have since become legion...and the beginning of personal tragedies, in particular for Plant, that would
alter the group's destiny. But until the next round of reissues, these first three titles make clear that Page is
absolutely delivering on his commitment to making them "a major adjustment to what was done 20 years ago."
With each album remastered differently to suit the media?CD, high-def digital and vinyl?Page may well have raised the
bar for all reissues to come.


Tracks and Personnel
                                                             

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