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Jimi Hendrix - Naked Ladyland (6CDs) - Flac+Art

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Music : Rock : Lossless
I must admit that I
was a bit too harsh when criticizing 
this title in the description of my previous
upload.
Some of you wanted it badly so I checked it out one 
more time and changed my mind. 
It
definitely deserves an upload so here it is!
Enjoy!

Jimi Hendrix

"Naked Ladyland -
Studio Sessions 1967-1968"
(Original Master Series, OMS 153-158, EU 2013, 6CDs) 

- 6CD box-set (6
gold CDs)
- Digitally remastered
- 28 page booklet. 
- Limited edition (500 copies)

-
Lineage:
Original gold CDs -> EAC -> WAV -> Flac

- Artwork included (arranged by E.)

Track list:

Disc 1: (79:38) - Electric Ladyland Sessions March-April 1968 
My Friend #1-2
Little
Miss Strange #1
1983... (A Merman I Should Turn To Be) #1
Somewhere #1-5
Long Hot Summer Night #1-2
Little Miss Strange #2-4
1983... (A Merman I Should Turn To Be) #2-3
Gypsy Eyes #1-2
Walking Through
The Garden 

Disc 2: (56:57) - Electric Ladyland Sessions March-April 1968 
Rainy Day Shuffle #1-4
Rainy Day Dream Away/Still Raining Still Dreaming #1-4
Jazz Jimi Jazz
Electric Ladyland Blues

Disc 3: (36:41) - Electric Ladyland Sessions June-August 1968 
Have You Ever Been (To Electric Ladyland) #1-6
...And The Gods Made Love #1-4
Room Full Of Mirrors, Come On (Part 1) #1-5

Disc 4: (69:19) - Electric
Ladyland Sessions July 1967 - December 1967 & January 1968  
Burning Of The Midnight Lamp #1-8
Dream
#1-2
Dance
Crosstown Traffic #1-3
Little One #1-3

Disc 5: (73:40) ? Electric Ladyland Sessions
January 1968 
Cat Talkin? To Me, So Much # 1-2
Ex-Art Student
Oh To Be A Child #1-2
All Along The
Watchtower #1-6
Tax Free #1-4
Driving South - Sgt. Pepper's Lonely Hearts Club Band (fragment)

Disc
6: (71:02) - Electric Ladyland Sessions January 1968 & August 1968 
All Along The Watchtower  sessions, takes
1-14
All Along The Watchtower "Mix Tape" , takes 1-11
Come On (Part One) session, takes 1-14

Notes:
Naked Ladyland from Original Master Series collects many sessions, various mixes, 
and jams
that were recorded during the time when Hendrix was assembling tracks for 
the Electric Ladyland LP. All tracks
from the official LP are represented here in one 
form or another with the exception of Voodoo Chile, House Burning
Down, and Voodoo Child (Slight Return). The sessions for Voodoo Chile and Voodoo Child (Slight Return) had previous
silver releases on disc two of Jupiters Sulphur Mines 
(Axis-05A/B) back in 2004 and more recently on disc two of
Scorpio's Session Vol. 2 
and are well worth tracking down to hear the evolution of those tracks. What we do get

from OMS is a very nice mixed bag of goodies that not only chronicles tracks from the 
official LP, but a few
outtakes, unused mixes, and even some unrelated tracks that had 
a bit of Jimi?s involvement. After listening to
the official record all these years, 
Naked Ladyland makes for a very interesting experience to say the least
(??).

This material has been compiled on ATM releases (Archived Trader's Material) which 
are put
together by fans using the highest quality available to collectors.  

Disc one comes from ATM 238 with the
first nine tracks originating from the March 13, 
1968 session at Sound Center in New York. It starts with two
mixes of My Friend, 
a track that wouldn't be released until the posthumous Cry Of Love LP. The first is an 
alternate mix and has quite a bit of effect on it while the second is the official mix. 
The first version of
Little Miss Strange is instrumental and is preceded by "stand by 
Jimi" as he was getting ready to lay
down some overdubs here.

Five mixes of Somewhere are included, another unused track that first popped up on

Crash Landing albeit with some session musicians that were hired to complete the takes. 
The first has just
Hendrix?s rhythm and lead guitars isolated with each in a separate 
channel. The second adds bass, drums, and
vocals with the third being very similar only 
with a shorter edit. This is followed by a mix with heavy echo on
Jimi?s vocal and the 
version with some timing issues in the drum track.

Long Hot Summer Night comes
from The Record Plant in New York on April 18, 1968 
and is represented first with a mono version and one in stereo
featuring the drums in one 
channel and the rhythm guitar in the other. Three more versions of Little Miss Strange

from The Record Plant on April 20, 1968 feature an alternate mix and guitar, a mono 
reduction, and the
official stereo mix.

April 20, 1968 at The Record Plant brings us two more versions of 1983...(A Merman I 
Should Turn To Be). The first was featured on the official Lifelines The Jimi Hendrix 
Story (now out of print)
and is followed by a 14 plus minutes version including Moon, 
Turn The Tides Gently, Gently Away.

The
remaining three tracks on disc one comes from The Record Plant on April 22, 1968. 
The two incomplete outtakes of
Gypsy Eyes feature Jimi and Mitch running through the 
arrangement and are not more than two minutes apiece.
Walking Through The Garden 
features a vocal from Noel.

Disc two mainly features the various sessions of
Rainy Day, Dream Away/Still Raining, 
Still Dreaming. It was eventually edited down into two tracks for the
Electric Ladyland 
LP. Tracks originate from June 10, 1968 at The Record Plant and were featured on 
ATM 224.
The first track, Rainy Day Shuffle, sounds like a true "off the cuff" 
impromptu jam for everyone to warm
up and is followed by an official edit, a practice 
session in mono, and two very short instrumental outtakes.
Track five continues with an 
early instrumental take of Rainy Day, Dream Away/Still Raining, Still Dreaming 
followed by an incomplete alternate mix. Track seven features an alternate mono mix 
and track eight is the
stereo LP mixes - edited together.

The disc closes out with Jazz Jimi Jazz and Electric Ladyland Blues. Not
much is 
known about these jams and it is speculated that they come from the following day at 
The Record
Plant.

The selections on disc three were featured on ATM 225. It starts with six versions of 
Have You
Ever Been (To Electric Ladyland) originating from June 14, 1968 at The 
Record Plant. The first is take 3 from
Jimi?s solo session which has been officially 
released on "Loose Ends" album and is recognizable by
Eddie Kramer asking Jimi 
"Jimi, what?s it called?" at the beginning of the track. The second is take 4
with Mitch, 
a backing track of a master aka. "cymbals take". These are followed by a Longer 
Alternate Mix, Incomplete Alternate Mix, Mono Single Mix, and Stereo LP Mix.

The opening track from
Electric Ladyland, ...And The Gods Made Love, is represented by 
three Alternate Mixes and the Stereo LP Mix. The
three Alternate Mixes contain a lot of  
backwards tape effects and are interesting outtakes that come from The
Record Plant on 
June 29, 1968.

Room Full Of Mirrors is from August 12, 1968 at The Record Plant and is
labeled take 3. 
It has Jimi on guitar and vocal accompanied only by someone on harmonica. Five versions of 
Come On (Part 1) are from August 27, 1968 at The Record Plant and start with takes 8 & 9, 
both incomplete. A
much better sounding Alternate Mix of take 9 follows with an unknown 
take and the Stereo LP Mix closing out the
disc.

Disc 4 comes from ATM 234. A bulk of the disc is taken up by eight tracks of Burning Of 
The
Midnight Lamp. Work started on this track at Olympic Studios in London but wasn?t 
realized until July 6, 1967 when
the band revisited the idea at Mayfair Studios in New York. 
The various versions range from Jimi practicing the
Harpsichord parts, an Ebay sampler, 
a 22 minute Mixing Session with a lot of stopping and restarting of the master
tape and 
various mono and stereo mixes. Track seven is from acetate and is so crackly in spots that 
it
sounds like a Geiger counter picking up high levels of radiation.

Dream, Dance, and Crosstown Traffic
originate from December 20, 1967 at Olympic 
Studios in London. The two versions of Dream (Noel Redding
composition) with the 
first being from mono acetate and the second (in much better quality) with a few more 
overdubs from a stereo source. Dance, also Noel's composition, centers on the opening 
riff later used for Ezy
Rider. This one comes from a mono acetate but is fairly clean 
sounding. Three mixes of Crosstown Traffic feature
one with Jimi's lead vocal in the 
left channel, separate mono and stereo mix.

Three versions of Little
One finish off disc four. Believed to be from Olympic Studios, 
(the exact date is unknown - January 1968?) and
features someone playing Sitar. The first 
is an instrumental mix and the second features an extra guitar part. The
third is probably 
the most intriguing featuring a lead vocal by Mitch and is sometimes referred to as 
There
Ain?t Nothing Wrong.

Disc five comes from ATM 235 and starts with a version of Cat Talkin' to Me also 
believed to be from Olympic Studios in London (January 1968?).

The next four tracks, two versions each of
So Much and Ex-Art Student come from 
a project called McGough and McGear, two members of the Scafold that released
a bizarre 
LP that mixed poetry,  comedy, and pop psychedelic. The record was allegedly produced by 
Mike
McGear's brother, Paul McCartney, who called on fellow musicians Graham Nash, 
John Mayall, Spencer Davis,
Yardbird's bassist Paul Samwell-Smith, Pretty Things drummer 
Viv Prince, and Hendrix. Jimi?s involvement can
definitely be heard but its inclusion in this 
set is questionable. The following two versions of Oh to Be a Child
may not have any Jimi 
involvement and their inclusion is questionable as well.

All Along The Watchtower
was recorded on January 21, 1968 at Olympic Studios in 
London. The various versions are taken from, Lifelines, The
Making Of Electric Ladyland 
Laserdisc (?), as well as a few more mixes of the final version.

On January
26, 1968 at Olympic Studios in London, Hendrix attempted to capture his 
version of Hansson & Karlsson's Tax
Free. The first version features the basic track with 
the original drums without overdubs and sounds a little
overloaded. The second has the 
overdubs and is followed by a very spacial mix that favors a lot of reverb and a
few alternate 
parts. The final is the official mix with a new drum track. Closing out disc five is a version 
of Driving South from Olympic Studios (January 26, 1968?). This is a fast paced 
impromptu studio jam that ends
with a snippet of Sgt. Pepper.

Disc six is perhaps the most intriguing in this set. The first 14 tracks
contain many 
run-throughs of All Along The Watchtower from the January 21, 1968 session at Olympic 
starting
with take six. We get to hear Jimi instructing the other players on exactly how he 
wants the track to sound.
Listening to the birth of the basic track is amazing. Brian Jones 
joins on piano from take 14.

The
"Mix Tape" sessions date from Olympic Studios in London on January 26, 1968 and 
features the song in
various degrees of completeness. These stripped down mixes are also 
fascinating to hear. Tracks 19 & 23 are
unique in that they feature some unused lead guitar 
parts not heard in the final mix.

Come On (Part 1)
was the final track recorded for Electric Ladyland on August 27, 1968 
at the Record Plant. This raucous session
features Jimi ?letting it all out? so to speak and 
produced a great version of the Earle King's track. Fourteen
takes finally produced the master.

Naked Ladyland is pressed on gold disc and packaged in a 6 way fatboy
jewel case. It comes 
with a nice slip cover and a thick booklet with some liner notes including the Alternate Nude

Cover on the outside. This is a great collection of outtakes and alternate mixes for anyone 
who has worn out
their copy of the official LP and like myself, just can?t seem to get enough 
Jimi. Many thanks must go to the hard
work put into the ATM compilations and OMS for 
bringing it to the masses on factory pressed CDs. Lastly, let us
not forget the long hours 
and hard work left behind by the man himself, Jimi.

Review (edited by E.)
taken from:
http://www.collectorsmusicreviews.com/hendrix-jimi/jimi-hendrix-naked-ladyland-original-master-series-oms-153-158/

Demonoid
August 2013.

 

                                                              

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