Handel - Suites for Keyboard (Keith Jarrett)


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Torrent Hash : C0A1AB89FC266BE6F70A3CB5163D4EE092B608CB
Torrent Added : 1 Year+ in Music - Music
Torrent Size : 240.62 MB


Handel - Suites for Keyboard (Keith Jarrett)
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Torrent File Content (34 files)


Handel - Suites for Keyboard (Keith Jarrett)
     01 Suite HWV 452 in G minor I. Allemande.flac -
9.22 MB

     02 Suite HWV 452 in G minor II. Courante.flac -
9.73 MB

     03 Suite HWV 452 in G minor III. Sarabande.flac -
6.69 MB

     04 Suite HWV 452 in G minor IV. Gigue.flac -
4.67 MB

     05 Suite HWV 447 in D minor I. Allemande.flac -
6.63 MB

     06 Suite HWV 447 in D Minor II. Courante.flac -
8.28 MB

     07 Suite HWV 447 in D minor III. Sarabande.flac -
5.74 MB

     08 Suite HWV 447 in D minor IV. Gigue.flac -
3.6 MB

     09 Suites II No. 7 HWV 440 in B-flat Major I. Allemande.flac -
6.8 MB

     10 Suites II No. 7 HWV 440 in B-flat Major II. Courante.flac -
6.9 MB

     11 Suites II No. 7 HWV 440 in B-flat Major III. Sarabande.flac -
7.6 MB

     12 Suites II No. 7 HWV 440 in B-flat Major IV. Gigue.flac -
4.8 MB

     13 Suites I No. 8 HWV 433 in F minor I. Prelude - Fuga.flac -
16.72 MB

     14 Suites I No. 8 HWV 433 in F minor II. Allemande.flac -
9.08 MB

     15 Suites I No. 8 HWV 433 in F minor III. Courante.flac -
8.34 MB

     16 Suites I No. 8 HWV 433 in F minor IV. Gigue.flac -
7.26 MB

     17 Suites I No. 2 HWV 427 in F Major I. Adagio.flac -
7.58 MB

     18 Suites I No. 2 HWV 427 in F Major II. Allegro.flac -
9.29 MB

     19 Suites I No. 2 HWV 427 in F Major III. Adagio.flac -
5.09 MB

     20 Suites I No. 2 HWV 427 in F Major IV. Allegro.flac -
7.24 MB

     21 Suites I No. 4 HWV 429 in E minor I. Fuga.flac -
12.8 MB

     22 Suites I No. 4 HWV 429 in E minor II. Allemande.flac -
6.36 MB

     23 Suites I No. 4 HWV 429 in E minor III. Courante.flac -
8.68 MB

     24 Suites I No. 4 HWV 429 in E minor IV. Sarabande.flac -
9.95 MB

     25 Suites I No. 4 HWV 429 in E minor V. Gigue.flac -
6.35 MB

     26 Suites I No. 1 HWV 426 in A Major I. Prelude.flac -
8.45 MB

     27 Suites I No. 1 HWV 426 in A Major II. Allemande.flac -
10.55 MB

     28 Suites I No. 1 HWV 426 in A Major III. Courante.flac -
9.98 MB

     29 Suites I No. 1 HWV 426 in A Major IV. Gigue.flac -
11.84 MB

     Digital Booklet - Handel Suites for K.pdf -
4.39 MB

     Handel - Suites for keyboard.md5 -
2.46 KB

     Handel - Suites for keyboard_LOG.txt -
22.51 KB

     Handel.jpg -
5.78 KB

     nfo.nfo -
557 bytes



Description



Having paid tribute to Johann Sebastian Bach in a sequence of New Series recordings of the Well-tempered Clavier, the
Goldberg Variations and the French Suites, Keith Jarrett now turns his attention to Bach's near contemporary, Georg
Friedrich Handel. The project, in fact, has been in preparation for a long time; Jarrett's liner note informs us that he
first began to record Handel's keyboard suites some 20 years ago.

The present recording is of particular interest for a number of reasons and not least because it is the first of his albums of baroque music to feature the piano - as opposed to harpsichord - since 'Book One of the Well-tempered Clavier' was issued in 1988. Where, in his Bach recordings, Keith Jarrett has striven to obliterate his musical personality ("This music does not need my assistance"), he feels Handel's "basically unknown" solo keyboard music needs a measure of special pleading. And, though he has gone to "the least tampered with editions" of the suites in the interests of "correctness both musicological and musical", in making the case for their reassessment he permits himself some interpretive leeway in matters of tempi and phrasing.

The result is an extremely attractive reading of seven of the Suites for Keyboard that can perhaps be more readily related - particularly in the adagio movements, where Jarrett takes full advantage of the lyrical warmth and textural richness of the material - to aspects of the pianist's improvised recordings than can his Bach interpretations. (Or, to put it another way, these pieces, in the right hands, retain the freshness of improvisation). "Handel was a keyboardist," Jarrett notes, "and his keyboard works should occupy a higher position in our awareness than they do." Keith Jarrett's playing on this recording invites comparison with his interpretation of Dmitri Shostakovich's 24 Preludes and Fugues Op. 87). Jarrett's Shostakovich prompted John Rockwell to declare, in the pages of the New York Times: "With this recording, Mr. Jarrett has finally staked an indisputable claim to distinction in the realm of classical music. Even in our multicultural, multistylistic age, it is extremely difficult to cross over from one field to another. Mr. Jarrett, having long since established himself in jazz, can now be called a classical pianist of the first rank."




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