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Grateful Dead - Live at the Cow Palace 1976 (2014) MP3@320kbps Beolab1700

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  Grateful Dead - Live at the Cow Palace 1976 (2014)
MP3@320kbps Beolab1700
  
  
  
  
  
  
  
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   Grateful Dead - Live
At The Cow Palace, New Year's Eve, 1976
  
 
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Artist...............: Grateful Dead
  
  Album................: Live At The Cow Palace, New Year's Eve,
1976
  
  Genre................: Rock, Folk, World, & Country
  
  Source...............: CD
  
  Year.................: 2014
  
  Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus
CD-S520
  
  Codec................: LAME 3.99
  
  Version..............: MPEG 1 Layer III
 

  Quality..............: Insane, (avg. bitrate: 320kbps)
  
  Channels.............: Joint Stereo /
48000 hz
  
  Tags.................: ID3 v1.1, ID3 v2.3
  
  Information..........: 
  
 

  
  
  
  Posted by............: Beolab1700 on 09/10/2014
  
  
  
 
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   Tracklisting
  
 
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   1. Grateful Dead -
Help On The Way - Slipknot! [14:09]
  
   2. Grateful Dead - Playing In The Band [23:19]
  
   3.
Grateful Dead - Eyes Of The World [12:22]
  
   4. Grateful Dead - Mama Tried [02:55]
  
   5.
Grateful Dead - Bertha [07:08]
  
   6. Grateful Dead - Samson & Delilah [10:13]
  
   7.
Grateful Dead - We Bid You Goodnight [03:29]
  
   8. Grateful Dead - Scarlet Begonias [11:46]
  
  
9. Grateful Dead - Not Fade Away [11:08]
  
   10. Grateful Dead - Morning Dew [15:11]
  
   11.
Grateful Dead - Sugar Magnolia [08:47]
  
   12. Grateful Dead - Deal [05:46]
  
   13. Grateful
Dead - Around And Around [07:56]
  
   14. Grateful Dead - Wharf Rat [13:25]
  
   15. Grateful Dead
- Drums [02:49]
  
   16. Grateful Dead - Good Lovin' [05:05]
  
   17. Grateful Dead - They Love
Each Other [07:09]
  
   18. Grateful Dead - Looks Like Rain [07:32]
  
   19. Grateful Dead -
Promised Land [04:40]
  
   20. Grateful Dead - Uncle John's Band [08:08]
  
   21. Grateful Dead -
One More Saturday Night [05:54]
  
  
  
  Playing Time.........: 03:09:01
  
  Total
Size...........: 446.54 MB
  
  
  
 
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  With Live at the
Cow Palace, Grateful Dead Productions’ newly-formed alliance with Rhino is off to an auspicious start. The
three-CD New Year’s Eve 1976 is a stunning performance; its combination of improvisational restraint and sense of
adventure embroiders a diverse selection of songs.
  
  
  
  The Grateful Dead do take a couple of
numbers to gain traction. Jerry Garcia graces Chuck Berry’s “Promised Land” with a couple of gaffes,
while “Bertha” is the sound of the septet just beginning to flex its collective muscle. A clutch of
structured tunes, including the graceful ballet “The Love Each Other” and a truly poignant “Looks Like
Rain” (where vocalist Donna Godchaux keeps herself in check) allows the group to marshal its strength.
  
  
  
  The Dead bring a potent force to bear through a forty-minute “Playing' in the Band.” The
piece has at least three distinct themes interwoven throughout free playing, but it is nevertheless only the first peak
of the evening in San Francisco. The sequence of material illustrates archivist David Lemieux's observations in the
liner notes well: at the end of a year following vacation, the group sounds vibrant on tunes of recent vintage, such as
“Scarlet Begonias,” and chestnuts to be like “Not Fade Away” remain fresh.
  
  

 
  This wide range of Grateful Dead history contains its share of surprises, too. Some songs are radically
rearranged, like the propulsive uptempo romp through “Eyes of the World,” or the loving deliberation with
which the group graces “Around and Around.” In addition, all the musicians play their respective roles
effectively; Weir’s rhythm guitar work is particularly muscular on “Help on the Way” and
“Slipknot.” The drums that segue from the latter illustrate how Bill Kreutzmann and Mickey Hart created
percussive intricacy instead of relying on bombast.
  
  
  
  Throughout these three-plus hours,
the Dead continually pivot around the mammoth sound of Phil Lesh’s bass and, equally importantly, derive
inspiration from the vigor of guitarist/vocalist Jerry Garcia. The latter’s gusto as he sings “Wharf
Rat” is as notable as his abandon on “We Bid You Goodnight.” The passion of his guitar playing is
comparable throughout the stately elegiac “Morning Dew” and a lilting “Uncle John’s
Band.” While the late titular leader of this hallowed band had his off-years as the next decade came and went,
here he sounds every bit the icon.
  
  
  
  Live at the Cow Palace boasts full, streamlined sound.
Jeffrey Norman’s HDCD mastering from the thirty-year old recording by Bob Mathews and Betty Cantor-Jackson
reveals many nuances (like Keith Godchaux’s barrelhouse piano), and the Tim Truman artwork that adorns the
triple-fold digipak is worth checking out. As a result, discovering the mariachi motif of “Good Lovin'” is
as likely to bring a smile as noticing the lightning bolt tattoo
  
  
  
 
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