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Amityville Horror Lalo Schifrin 1979 OST LPRip MP3 320 Kbps No Tag

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AMITYVILLE HORROR ( 1979 ) Instrumental / LALO SCHIFRIN


 


 


 


ORIGINAL TITLE: AMITYVILLE HORROR - OST
TYPE: OST ( ORIGINAL SOUNDTRACK )
COMPOSER: LALO
SCHIFRIN
LABEL: CASABLANCA RECORDS ( AMERICAN INTERNATIONAL )
LABEL CODE: AILP 3003
RELEASE DATE: 1979
COUNTRY: UNITED STATES
YEAR OF THE FILM: 1979
DIRECTOR: STUART ROSENBERG


LINKS:

http://www.soundtrackcollector.com/title/26158/Amityville+Horror%2C+The

LINKS:

http://www.imdb.com/title/tt0078767/?ref_=fn_al_tt_4

LINKS:


https://youtu.be/Ei_l5Qnf8_Q


 



The LP version of Lalo Schifrin. NOMINATION AUX OSCARS.



Description


Lalo Schifrin


Lalo
Schifrin ( born Boris Claudio Schifrin, June 21, 1932 ) is an Argentine pianist, composer, arranger, and conductor. He
is best known for his film and TV scores, such as the "Theme from Mission: Impossible". He has received four
Grammy Awards and six Oscar nominations. Schifrin, associated with the jazz music genre, is also noted for work with
Clint Eastwood in the late 1960s, 1970s, and 1980s, particularly the Dirty Harry films.

Schifrin was born in
Buenos Aires to Jewish parents.His father, Luis Schifrin, led the second violin section of the orchestra at the Teatro
Colón for three decades. At the age of six, Schifrin began a six-year course of study on piano with Enrique
Barenboim, the father of the pianist and conductor Daniel Barenboim. At age 16, Schifrin began studying piano with the
Greek-Russian expatriate Andreas Karalis, former head of the Kiev Conservatory, and harmony with Argentine composer Juan
Carlos Paz. During this time, Schifrin also became interested in jazz.

Although Schifrin studied sociology
and law at the University of Buenos Aires, music captured his attention. At age 20, he successfully applied for a
scholarship to the Paris Conservatoire. At night, he played jazz in the Paris clubs. In 1955, Schifrin played piano with
Argentinian bandoneon giant Ástor Piazzolla, and represented his country at the International Jazz Festival in
Paris.

Schifrin was born in Buenos Aires to Jewish parents. His father, Luis Schifrin, led the second violin
section of the orchestra at the Teatro Colón for three decades. At the age of six, Schifrin began a six-year course
of study on piano with Enrique Barenboim, the father of the pianist and conductor Daniel Barenboim. At age 16, Schifrin
began studying piano with the Greek-Russian expatriate Andreas Karalis, former head of the Kiev Conservatory, and
harmony with Argentine composer Juan Carlos Paz. During this time, Schifrin also became interested in jazz.

Although Schifrin studied sociology and law at the University of Buenos Aires, music captured his attention. At age
20, he successfully applied for a scholarship to the Paris Conservatoire. At night, he played jazz in the Paris clubs.
In 1955, Schifrin played piano with Argentinian bandoneon giant Ástor Piazzolla, and represented his country at the
International Jazz Festival in Paris.
Later life and career

After returning home to Argentina, Schifrin
formed a jazz orchestra, a 16-piece band that became part of a popular weekly variety show on Buenos Aires TV. Schifrin
also began accepting other film, television, and radio assignments. In 1956, Schifrin met Dizzy Gillespie and offered to
write an extended work for Gillespie's big band. Schifrin completed the work, Gillespiana, in 1958 ( it was recorded in
1960 ). Later that year, Schifrin began working as an arranger for Xavier Cugat's popular Latin dance orchestra.

While in New York in 1960, Schifrin again met Gillespie, who had by this time disbanded his big band for
financial reasons. Gillespie invited Schifrin to fill the vacant piano chair in his quintet. Schifrin immediately
accepted and moved to New York City. Schifrin wrote a second extended composition for Gillespie, The New Continent,
which was recorded in 1962. In 1963, MGM, which had Schifrin under contract, offered the composer his first Hollywood
film assignment with the African adventure Rhino!. Schifrin moved to Hollywood late that year. He also radically
rearranged the theme for the popular NBC-TV series The Man from U.N.C.L.E., altering original composer Jerry Goldsmith's
theme to a jazzy melody emphasizing flutes and exotic percussion, which wound up winning the Emmy award for Best TV
Theme in 1965.

One of Schifrin's most recognizable and enduring compositions is the theme music for the
long-running TV series Mission: Impossible. It is a distinctive tune written in the uncommon 5/4 time signature.
Similarly, Schifrin's theme for the hugely successful Mannix private eye TV show was composed a year later in a 3/4
waltz time; Schifrin composed several other jazzy and bluesy numbers over the years as additional incidental music for
the show.

Schifrin's "Tar Sequence" from his Cool Hand Luke score (also written in 5/4) was the
longtime theme for the Eyewitness News broadcasts on New York station WABC-TV and other ABC affiliates, as well as
National Nine News in Australia. CBS Television used part of the theme of his St. Ives soundtrack for its golf
broadcasts in the 1970s and early 1980s.

Schifrin's score for Coogan's Bluff in 1968 was the beginning of a
long association with Clint Eastwood and director Don Siegel. Schifrin's strong jazz blues riffs were evident in Dirty
Harry.

Schifrin's working score for 1973's The Exorcist was rejected by the film's director, William
Friedkin. Schifrin had written six minutes of difficult and heavy music for the initial film trailer, but audiences were
reportedly frightened by the combination of sights and sounds. Warner Bros. executives told Friedkin to instruct
Schifrin to tone it down with softer music, but Friedkin did not relay the message. Schifrin's final score was thrown
out into the parking lot. Schifrin reported in an interview that working with Friedkin was one of the most unpleasant
experiences in his life.

In 1976 he released a single called "Jaws" on CTI ( Creed Taylor
Incorporation ) records. This was the theme from the Universal Picture "Jaws" and reached number 14 in the UK
chart and ran for 9 weeks.

In the 1990s, he did many of the arrangements for the Three Tenors concerts.

In the 1998 film Tango, Schifrin returned to the tango music with which he had grown familiar while working as
Ástor Piazzolla's pianist in the mid-1950s. He brought traditional tango songs to the film, as well as introducing
compositions of his own in which tango is fused with jazz elements.

In 1997, the composer founded Aleph
Records.

He also wrote the main theme for Splinter Cell: Pandora Tomorrow.

Schifrin made a cameo
appearance in Red Dragon (2002) as an orchestra conductor.

He is also widely sampled in hip-hop and trip-hop
songs, such as Heltah Skeltah's "Prowl" or Portishead's "Sour Times". Both songs sample Schifrin's
"Danube Incident", one of many themes he composed for specific episodes of the Mission: Impossible TV
series.

On April 23, 2007, Lalo Schifrin presented a concert of film music for the Festival du Film Jules
Verne Aventures (Festival Jules Verne), at Le Grand Rex theatre in Paris, France – Europe's biggest movie theater
– that was caught by festival leaders for a 73-and-a-half-minute CD named Lalo Schifrin: Le Concert à
Paris.

In 2010, a fictionalised account of Lalo Schifrin's creation of the "Theme from Mission:
Impossible" tune was featured in a Lipton TV commercial aired in a number of countries around the world.

Alternative hip hop group Blue Scholars recorded a track entitled "Lalo Schifrin" on their third album
Cinemetropolis (2011).

To date, Lalo Schifrin has won four Grammy Awards ( with 21 nominations ), one Cable
ACE Award, one Emmy Award, and received six Academy Award nominations, and has a star on the Hollywood Walk of Fame. In
2016 it was announced that his Mission: Impossible theme will be inducted into the GRAMMY Hall of Fame.


Enjoy !


SOURCE: LP ( Original )
FORMAT: MP3
AUDIO: JOINT STÉRÉO
AUDIO
CODECS: MPEG Audio Layer-3
SIZE: 74.49 MB
BIT RATE: 320 Kbits/s 
BIT RATE MODE: CONSTANT
CHANNELS: 2
Channels
SAMPLING RATE: 44100 Hz 
PROTECTION: NO
COVERS: YES


 


Tracks:

1.    Amityville
Frenzy (04:52)
  
2.    Main Title (01:46)
 
3.    Get Out (02:29)
 
4.    Love Scene
(01:16)
 
5.    The Wind (02:01)

6.    Concerto 5 Harpsichord Strings (03:47)
 
7.    At
the Park (01:51)
 
8.    The Ax (03:29)
 
9.    Juke Box (03:05)
 
10.   The Basement
(02:26)
 
11.   Bleeding Walls (02:56)

12.   End Credits (02:27)


Totale: (
00:32:25 )


Thanks to the original uploader !!!

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