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(JazzPlanet) Marc Johnson - Shades Of Jade (Eac S Flac Cue) (UF)

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Marc Johnson - Shades Of Jade

















Artist Marc Johnson

Title  Shades Of Jade

Audio CD (September 13, 2005)

Original Release Date: September 13, 2005

Number of Discs: 1

Label: Ecm Records

Genre Jazz

Style: Modern Jazz

Number of Discs 1 

Source: Original CD 

Size Torrent: 305 Mb

Artwork Included





Extractor: EAC 0.99 prebeta 4 

Read mode               : Secure

Utilize accurate stream : Yes

Defeat audio cache      : Yes

Make use of C2 pointers : No

Codec: Flac 1.2.1;  Level 8  

Single File.flac, Eac.log, 

File.cue Multiple wav file with Gaps (Noncompliant)

Accurately ripped (confidence 27 )





Tracks: 



Tur Sur Ton; 

Apareceu; Shades of Jade; 

In 30 Hours; 

Blue Nefertiti; 

Snow; 

Since You Asked; 

Raise; 

All Yours; 

Don't Ask of Me.



Personnel: 



Marc Johnson: bass; 

Eliane Elias: piano; 

Joe Lovano: tenor saxophone; 

John Scofield: guitar; 

Joey Baron: drums; 

Alain Mallet: organ. 









Listen to all



http://www.amazon.com/gp/recsradio/radio/B000AMJEH8/ref=pd_krex_dp_a









video/audio



http://www.youtube.com/watch?v=0ML3Pj5AijY&feature=related





review



Bassist Marc Johnson’s return to the recording studio as bandleader has been greatly anticipated by many of his
fans even though his initial recordings with ECM began in the mid -1980’s. Fortunately, Johnson’s return
as a leader is nothing short of stellar, and his latest release, Shades of Jade

, should soothe fans’ palettes for quite some time. Shades of Jade, is yet another example of ECM’s
penchant for creating melodic, ethereal sessions. Co-produced by pianist Eliane Elias, this release has all the musical
equivalents of an eclectic, fun-filled day in Central Park: crisp, airy melodies (Apareceu), swift blues-based funky
tones (Raise), and pensive lines (Shades of Jade).



One of the most serene, harmonically astute tracks is Snow. Elias has always excelled at soft tones and soothing
rhythms, and she does not disappoint here. The sheer beauty of this track lay in its trio format and fierce interaction
between Elias, Joey Baron’s (drums) intermittent accessories, and Johnson’s mellifluous lines.
Analogously, Snow is a simmering volcano, initially harmless, but increasingly anxious. The tension and intensity grow
as the tune progresses, largely the result of Johnson’s progressive tempo and Baron’s occasional
“bombs”. But, it is Johnson’s final solo that fends off a tectonic eruption, bringing the track to
its serene conclusion.



Raise, appropriately titled, distinguishes itself from most of the tunes because of guitarist John Scofield’s
bluesy notes and organist Allain Mallet’s gospel-laden harmonies. Together, they are reminiscent of classic duals
between Wes Montgomery and Jimmy Smith, masters of artistically blending blues and jazz with the pulpit. Saxophonist Joe
Lovano’s wailing accoutrements serve as a major voice of the choir, akin to the soulfoul renditions of the late
Stanley Turrentine. Similarly, Blue Nefertiti offers a smooth walking blues pattern where, yet again, Elias shines
brightly. If the track Shades of Jade is the equivalent of a day in Central Park, Raise is its Baptist church
counterpart.



Shades of Jade is a compilation of excellently crafted compositions and myriad textures, thanks to Elias and Johnson.
For Johnson’s fans, this is the proverbial “must have.” But, for listeners who appreciate outstanding
musicianship, well-conceived arrangements, emotion-laden ballads, and plain ol’ good music, you, too, need to get
this gem.



______________________________________________________________________________________________________________________





The album’s title has biographical significance. Marc Johnson first came to the attention of players and
listeners around the world as the bassist with Bill Evans’ last great piano trio in the period 1978-80. The title
track of Johnson’s new album “Shades of Jade” was inspired by the bassist in the first of
Evans’ great trios, Scott La Faro, whose “Jade Visions”, on 1961’s “Sunday At The
Village Vanguard” provided an object lesson in how intensity could be focused in inward-looking music, of enduring
beauty.



Johnson’s ECM debut recordings, in 1985, were with his own Bass Desires quartet, foregrounding the guitars of
Bill Frisell and John Scofield – a group frequently as outgoing as the Evans trio was introverted – and as
a member of John Abercrombie’s trio. “Shades of Jade” is only Johnson’s third leader date for
the label, but he has been an important contributor to many ECM recordings. His list of session credits for the label
includes albums with Ralph Towner (“Lost and Found”), pianist John Taylor (“Rosslyn”),
saxophonist Charles Lloyd (“Lift Every Voice”) and bandoneon master Dino Saluzzi (“Cité de la
Musique”). He continues to be associated with John Abercrombie and appears on his most recent discs,
“Cat’n’Mouse” and “Class Trip”. In all of these contexts his touch and tone and
advanced harmonic understanding are well-deployed.



“Shades of Jade”, a mature jazz album, with a classic, timeless feel, makes sense of the range of
Johnson’s experience, and stresses his compositional skills. It also features one of the most
melodically-inventive pianists in modern jazz in Eliane Elias, the CD’s other primary composer.
Restlessly-inventive drummer Joey Baron rounds out the core trio; tenor saxophonist Joe Lovano adds his own inimitable
shading and solos of profundity, and guitarist John Scofield, always an exciting player, renews acquaintances 20 years
after recording on Johnson’s “Bass Desires”.



Produced by Elias and Manfred Eicher at New York’s Avatar Studios, “Shades of Jade” combines
Johnson’s love for both piano and guitar, using group interplay with Scofield and Lovano to expand the piano trio
format. On the opening Johnson-Elias composition “Ton Sur Ton,” a bass intro and Baron’s brushwork
lead to harmonized lines between Scofield and Lovano. Elias enters two minutes later, combining eloquence and power
through one of her linear solos. The La Faro-influenced title track, the disc’s other co-composed piece, bears
the stamp of the Evans trio through Johnson's 6/8-timed pulse, Baron's shimmering cymbals, and Elias’ melodic
nuances.



Born in Brazil, Elias arrived in New York City in 1981 and astonished local players with her pianistic fluency. Her
recent, and highly successful, solo recordings have strengthened her reputation as a vocalist. Shades of Jade, however,
spotlights the musician who joined the original acoustic line-up of Steps Ahead shortly after her arrival. Elias
contributes four introspective compositions that showcase her idiosyncratic jazz vocabulary, drawing on both North
American and Brazilian music. (Elias has also recorded ‘classical’ repertoire from Bach to Chopin and Ravel
for EMI Classics). The Elias compositions “Snow” and “All Yours” – which features a
stately solo by Johnson – are piano trio settings for her haunting melodies, harmonic sense, and exquisite touch.
The pianist sounds more self-assured than ever before. “She’s so versatile, and so deep a talent,”
Johnson says. “She can do just about anything, and do it really well. We’ve been playing together for so
long that there are little subtle things between us that you can’t even measure; a chemistry from playing for so
many years. And writing together means the record really has Eliane’s stamp on it.”



Johnson composed “Blue Nefertiti” with Scofield in mind, and the guitarist contributes an appropriately
bluesy solo to the swinging, mid-tempo piece. The bassist’s slow “Since You Asked” is a powerful
improvisation with Baron. “Raise”, a nod to another mighty bassist, Ray Brown, raises the tempo while adding
organist Alain Mallet for texture. On the entrancing closer, “Don't Ask of Me”, an Armenian folk song
otherwise known as “Intz Mi Khntrir”, Johnson bows the bass in its upper register while Mallet makes another
cameo to add droning keyboard effects.



”That's a sort of pedal ostinato that I play over”, Johnson says of Mallet’s foundation, “and a
sort of closing benediction. Alain’s a really proficient keyboardist on the New York and Boston scenes, and I
really wanted to hear organ on those pieces. He sounded great.”



“Shades of Jade” gives an index of Johnson’s versatility, from ballads and blues to piano trio jazz
and chamber music. His chemistry with Elias and Baron is undeniable, and partly the result of much touring together as a
trio. Lovano – who met Johnson in 1977 when the bassist was on the road with Woody Herman’s Young
Thundering Herd – and Scofield are respected bandleaders and long-time cohorts who unselfishly become sidemen for
the good of the ensemble. “Shades of Jade” may look like a collective of all-stars on paper, but the music
is that of a united, intuitive band.



Marc Johnson was born in Nebraska in 1953, and grew up in Texas. At 19 he was working professionally with the Fort Worth
Symphony, and while at North Texas State he played and recorded with fellow student Lyle Mays. His many recording
credits since then include discs with Joe Lovano, Michael Brecker, Stan Getz, Bob Brookmeyer, Gary Burton, Bill Frisell,
Pat Metheny, Ben Monder, Enrico Pieranunzi, Eliane Elias, Philly Joe Jones, Jack DeJohnette, Peter Erskine, Paul Motian,
and others.



“Shades of Jade” brings Marc Johnson back as a leader, and, most convincingly, unveils his latest bass
desires.

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